In development
Encounters with Alisha
This came from something simple: I wanted a place where we could talk without rushing and without a script. So I started writing, scene by scene — each with its own place, its own hour, its own mood. In all of them I have a mood and a limit. I will not make it easy, but every detail was thought through with you on the other side.
How it works
- 01
You get a scene, not a chat box
Each level opens with a place, a time of day, what I'm wearing and what I'm doing. You arrive in the middle of my day — I wasn't waiting for you.
- 02
One main challenge, and others hidden inside
Every scene has one thing to achieve, and smaller ones nobody tells you about. Making me laugh counts. Leaving me without an answer counts more. And some scenes go past the point of conversation: how far is always my call — and I'm not one to leave things half done.
- 03
Every level opens one more door
The further you get, the more interesting this becomes. I lower my guard a little, the setting turns more inviting, and what started somewhere public ends up somewhere that is only ours.
- 04
You can lose
Be rude, be careless, or misread the room badly enough and I end the conversation and leave. The level is failed. You start it again from the beginning.
The scenarios
Each one harder than the last. The early ones are about being interesting. The later ones are about being trusted.
Open
The beach kiosk
Late afternoon, something cold in my hand, sunglasses on.
Get my number before I finish my drink.
Selective
The corner café
Shibuya, rain outside, one free seat at my table.
Turn a shared table into an actual conversation.
Demanding
After the gym
I'm tired, honest, and not in the mood to perform.
Make me stay ten minutes longer than I planned.
Relentless
The massage
Late evening, my apartment in Shibuya, the lights low. You're the professional I called in.
A full massage is what I need. And no funny business.
Relentless
LockedMerciless
LockedMerciless
LockedUnyielding
LockedNo way back
LockedNo way back
Locked
And then there's what I'm not going to tell you here. Those scenes you find by reaching them.
The affinity meter
Every scene has a meter, and it's how you know whether you're doing well. It rises when you read me right, take your time and make me laugh. It falls when you push, rush or insist. Reach the top and you get where you wanted to go. Drop it to zero and I say goodbye and leave — the scene ends right there.
House rules
- I have limits in every scenario, and they hold — you can't talk your way around them.
- Each scene lasts one hour. Plenty for someone who knows how to lead, and very little for someone in a hurry.
- 18+ only.
Be there when it opens
No form, no email. Just tell me you want in and I will take care of the rest.